ANNE LOW 

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sempiternum textiles

ANNE LOW

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sempiternum textiles ︎︎︎
2024
Fir candle
installation view, a twisted rag in a scallop shell, Astor Weeks, NYC


2023
Installation view, Bury me
Dream meadow
Clay suitcase
Bone
Installation view, A forged spider’s web, Unit 17, Vancouver (curated by Anne Low)
2022
Installation view, Interior, Michael Werner Gallery, London

2021
Dogged
Oso
Ruddy
 Installation view, Medlar
ingress to The Ugly Room

2020
Sniff
Installation view, Figure like hearse
Tire pile
Bedpost
Figure like hearse
Chamber-lye
Cobweb
Weaver’s tombstone
Mother Furniture
Day labor
Taffy
Boots
Untitled (chandelier)
 Dipper
Installation view, Dust bed
Daisy
Rose. Cards.

2019
Papereater
Installation view, Dust bed, 
Installation view, Chair for a woman
Ancestress
Grubby
Dead blood
Chair for a woman
Bedchamber of a paper stainer (bedsteps)
Bedchamber of a paper stainer (wall)
Installation view, Bletting

2018
Installation view, Paperstainer
Dusting paper
Garbage eater & ingress to The Ugly Room
 A Fine Thread of Deviation (collaboraiton with Evan Calder Williams)
 A wall as a table with candlestick legs

2017
Tromp as writ
Shaving hat
Installation view, Witch with comb
ingress to The Ugly Room
view of a cormorant
a sunken ash pit
 La Cocadrille
Greasy head
O.B.
Witch with Comb
open your face like a flower
women workers could be found on the medeival construction site
Chores

2016
an ambitious pagan II
Installation view, Kitchen Midden (collaboration with Ashes Withyman)
2015
an ambitious pagan I
Shallow Lake, depression glass
a coverlid for the shoulders of either


Sniff, 2019
Handwoven silk, hide glue, calcium carbonate, paint, found metal components
32 1/2 x 6 x 6 inches

Cobweb, 2020
Handwoven silk, found plastic and metal components, wrapping paper, cottonwood burl
36 x 4 x 4 inches

Oso, 2021
Weld and fustic dyed spun silk, wood, paint, brass, found metal components
30 x 2 1/2 x 2 ½ inches

Ruddy, 2031
Indigo dyed and handwoven cotton, plastic, found metal components, rice paper
29 x 2 1/2 x 2 ½ inches

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© Anne Low 2022